Pre-teens somehow come of age in “Drifting Home,” a Japanese animated fantasy about a group of sixth graders who float out to sea in a haunted apartment complex ...
Penguin Highway director Hiroyasu Ishida returns with his second anime feature, also about children, nostalgia, and the need to embrace change.
"Penguin Highway" director details the deeply personal inspirations behind his film about friends stranded in a floating apartment complex.
Summer drifts away in this fantasy adventure anime from the studio behind 'A Whisker Away'. drifting-home-anime Image via Netflix.
Hiroyasu Ishida's new animated film, about a group of elementary school-aged kids trapped on an apartment building floating in the ocean, captures the ...
Drifting Home on Netflix is the latest film from Studio Colorido and is packed with gorgeous animation and charming characters.
This article discusses whether there will be a Drifting Home 2, a sequel to the Netflix film Drifting Home, and will contain spoilers. Netflix is back.
It is a movie about accepting the unfortunate circumstances in life, and learning that, as long as the family stays together, they will all have a home. By the end, we find out that Noppo (Ayumu Murase), a child that was living in the apartment, is actually a spirit that was watching over Kosuke and Natsume when they were living in that building, and that he accidentally transported them but doesn’t know how to get them back. We jump forward 30 years, and find out that Kosuke and Natsume did manage to stay in each other’s lives, to the point that they are now married and have three children, between 6-9 years old.
Drifting Home is as charming and well-written a movie as you are going to find in Netflix's catalogue. The pacing and music weren't anything to write home ...
Drifting Home is as charming and well-written a movie as you are going to find in Netflix’s catalogue. As is the case for most shows that come out these days, especially on a platform as huge as Netflix Anime, the production quality of Drifting Home was great. The character design was also sleek, with the entire movie having a cool filter placed that gave it a sea-like ambience, which was apt for the setting. The rest of the cast is fine if a little underdeveloped. His being young excuses a lot of that, although that doesn’t make the end-product any easier to watch. She grows somewhat by the end, thankfully learning the lesson the story was trying to teach her, although that did require a lot of important plot development. Maybe it was because they were all kids, and the dialogue was simplistic, but it helped with the immersion of the movie. The display of Natsume being attached to the one thing that still grounds her, the apartment complex, was a fantastic allegory of what things are like for somebody who is grieving. The writer had a vision from the start that he wanted to see come to the screen, and he did everything in his power to make it as coherent and linear as possible. The most glaring issue was the pacing, as the movie just dragged on and on for much longer than it should have. The movie was big on themes and stuck to the various themes it had decided for its characters. The movie had a vision that it stuck to firmly throughout its runtime and told a very complete and fulfilling story.
At the beginning of their summer vacation, Kosuke and his classmates sneak into an abandoned apartment complex, which he and Natsume used to live in when they ...