Andrew Dominik's explicit, button-pushing take on the life of the superstar, uses shock tactics to replace insight and depth.
](https://twitter.com/christinalefou/status/1574785874277064706?s=21&t=_uUV2a5I9oTCKHeZGAatPg)It’s a blinkered worldview that infiltrates the film, whose countless attempts to stun and sizzle converge into a paunchily epic fizzle. Her pillow lips and fawn eyes perfectly mirror Monroe’s own (we also see a lot of the actor’s curves, hence the NC-17 rating). Diehard Marilyn fans who want to get a better sense of the woman behind the myth will be equally disappointed. His film, which jerks back and forth between color and black and white, is a litany of degradations and torments, many of which are served up as slow-motion sequences that had such a deadening effect on this home viewer that a two hour and 45 minute film took some 25 hours to finish. Dominik is the New Zealand-born Australian film-maker behind such grizzly works as The Assassination of Jesse James and Chopper, a crime drama based on the life of an Australian serial murderer known for feeding a man into a cement mixer and convincing a fellow inmate to slice his ears off for him. The ever-growing library of biographies includes volumes by avowed fan Gloria Steinem (who said the vulnerable and childlike Monroe represented everything women feared being) and Norman Mailer (his Marilyn was: “blonde and beautiful and had a sweet little rinky-dink of a voice and all the cleanliness of all the clean American backyards”).
Blonde is a beautifully made movie with a superb performance by Ana de Armas as Marilyn Monroe. So why does it feel so empty?
In certain scenes shot on black and white film, with Dominik recreating the exact blocking of a scene from, say, Some Like It Hot (1959), it took this reviewer a moment to recognize he was looking at de Armas and not the actual Monroe of 60 years ago. And rest assured, Blonde is obsessed with the absence of Marilyn’s father, going so far as to suggest that hole in her formative years is something akin to the Rosebud sled in Citizen Kane. Ultimately, the movie’s pretensions of attempting a quixotic examination of Marilyn Monroe’s sex life amounts to little more than art house cinema proving it isn’t above exploitation. While that is true, there’s still little difference in sentiment from the dismissive studio head Daryl Zanuck who refused to ever take Marilyn seriously and the way Blonde lingers as much or more on the sexcapades of Marilyn’s life than how she felt about the men in them. Instead the movie chooses to revel in the objectification demanded by a misogynistic society, and how eagerly Monroe pursued it. As per the movie, the unlikely pairing was due to the celebrated playwright becoming as attracted to her mind and underrated intellect as he is to her famed physique. It’s even a bit of fitting irony, too, that the most buzzed about element is not the movie star Blonde has ostensibly come to eulogize, but the curiosity factor around the one who seems poised to become an A-list sensation by playing her. Which is why Blonde’s attempt to bury it under so much artifice of its own, and a good deal of fiction from author Joyce Carol Oates—whose Blonde novel rewrote Monroe’s life for the worst—misses out on the opportunity provided by de Armas’ almost-great performance. It’s a shame then that Blonde is no more interested in being kind, or necessarily self-aware, than the legion of wolves who leer at Marilyn for nearly three hours throughout the picture. Given that backdrop, it’s no small wonder Norma Jeane was anxious to become Marilyn after the movie cuts to her adulthood. All the months and years leading up to Blonde’s premiere centered around apprehension in the media over a Cuban woman playing the American movie star. Whereas the male emblem of 1950s sex got a glorifying piece of hagiography courtesy of Baz Luhrmann over the summer, Andrew Dominik’s Blonde is eager to strip away the lairs of popular fantasy (and just about everything else) until all we’re left with is a fragile, scared young woman who was smothered by the adoration that gave her everything…
It has been a Year of Marilyn, full of tributes and homages, but "Blonde" explores the darker side of the entertainment icon.
And of course, it comes to the now-familiar conclusion that there was much more to the story than was apparent at the time. But Dominik’s film certainly meets Bolton’s other expectation: “Respect and fidelity to the complexity of the person.” Still, “Blonde” the movie covers many of the major known tragedies and trials of Monroe’s real life, such as her mother’s mental illness as well as her own, her failed marriages, her substance-abuse issues and her unrealized desire to become a parent. (It skips over a few famous beats, too, such as Monroe’s early marriage in her teenage years to a policeman — as well as the fact that she had half-siblings, one of whom she reconnected with later in life. Vogue recently heralded [“Barbiecore”](https://www.vogue.com/article/barbie-fashion-is-everywhere-this-summer) as the hottest trend of summertime, and a TikTok genre known as “BimboTok” was the subject of many a concerned-but-fascinated [trend story](https://www.thecut.com/2021/12/reclaiming-bimbo-bimbotok.html) [in 2022](https://www.rollingstone.com/culture/culture-features/bimbo-reclaim-tiktok-gen-z-1092253/). But the genre does seem to take cues from Monroe’s bubbly public persona — and her apparent enjoyment of being a beautiful, hyperfeminine woman. “Blonde,” however clumsily, attempts to answer that question, as it’s the rare Monroe tribute that looks closely at the mortal person behind the immortal image. Chrissy Chlapecka, 22, is one of the most prominent TikTokers associated with BimboTok, and she names Monroe among her lifelong inspirations. Her image has “come to stand for the very essence of glamour and beauty,” Bolton says, while her life story “stands for the classic hard-luck, rags-to-riches” tale of making it big in Hollywood. “I have noticed once again that clothing is coming around to the ’60s,” says Donelle Dadigan, president and founder of the Hollywood Museum in California (where interest in the Monroe items spikes yearly in June around her birthday). But none of this year’s moments of Marilyn fixation have engaged quite as directly with the latter as “Blonde,” which focuses on Norma Jeane Baker, the woman who became Marilyn Monroe. A few forces have converged this year to create a period of renewed fascination with Monroe — or perhaps more accurately, with Monroe iconography.
Ana De Armas at Marilyn Monroe in Blonde. Getty Images. Advertisement - Continue Reading Below. I know all too well the excruciating agony ...
The pain she lived with is unquestionable, and ultimately her extremely sad death at the age of 36 was ruled to be suicide. [affects 1 in 10 women](https://www.endometriosis-uk.org/endometriosis-facts-and-figures) and the average time between first visiting a doctor and [receiving a diagnosis](https://www.cosmopolitan.com/uk/body/health/a34192345/endometriosis-diagnosis-times/) is still an unforgivable 7.5 years. [Endometriosis](https://www.cosmopolitan.com/uk/body/health/a40252558/adenomyosis-vs-endometriosis/) is a condition where tissue similar to the lining of the womb grows in other places, such as the ovaries and fallopian tubes. In Monroe’s case, this life was lived in a different era and as medical misogyny exists today, it can be fairly reasoned she would have been on the receiving end of much more archaic treatment back in the 1950s and 60s. Marilyn Monroe’s image is inextricably linked with pop culture and perhaps that’s why so many have tried to take a figurative piece of her. But when doing that, we must recognise the extent of her lived reality. All of which, living with the sheer agony of endometriosis may have contributed to. [Marilyn Monroe](https://www.cosmopolitan.com/uk/reports/a41385580/blonde-marilyn-monroe-real-life/) has been the subject of global fascination for several decades and she’ll always be seen as a sparkling Hollywood star. I’ve passed out from its crashing waves flooding my body and have desperately willed the sharp stabbing agony to stop. And now following the release of the [new Netflix film Blonde](https://www.cosmopolitan.com/uk/entertainment/a40443520/ana-de-armas-blonde-release-date-trailer-cast/), Monroe’s life is in the spotlight once more. Symptoms include pain, fatigue, heavy bleeding and depression, with endometriosis potentially affecting every part of a sufferer’s life, including their fertility. With scenes in Blonde said to be sexist, exploitative and invasive (with rape, forced abortion and abuse featuring throughout), the pain endured in her short life is being pored over for entertainment purposes again.
From Some Like It Hot to The Misfits (and with a Millionaire in between), here's a look at Marilyn Monroe's accomplished onscreen legacy.
The performances in this countdown showcase her unforgettable work as a dynamic leading lady. While some consider Monroe to be synonymous with a life of scandal, and others see her simply as a bubble-headed sex symbol, this list forcefully counters those misconceptions. As an actor, Marilyn Monroe embodied glamour, tragedy, romanticism, and wit.
Blonde, a movie that reimagines the life of the iconic star Marilyn Monroe, starring Ana de Armas, is rated NC-17 on the subscription-based service Netflix.
The views expressed here are that of the respective authors/ entities and do not represent the views of Economic Times (ET). The actress also said that Blonde is supposed to create controversy and discomfort. But why exactly is "Blonde" rated NC-17? ET hereby disclaims any and all warranties, express or implied, relating to the report and any content therein. - What is the movie Blonde about? [Ana de Armas](/topic/ana-de-armas)'s starrer [Blonde](/topic/blonde), in which she plays the role of the iconic [Hollywood](/topic/hollywood)icon [Marilyn Monroe](/topic/marilyn-monroe), is currently rated NC-17 on [Netflix](/news/netflix-news).
Streetwear brands Culture Kings and Carré drop a new Marilyn Monroe-inspired collection ahead of 'Blonde' release.
[debuted to a massive 14-minute long standing ovation](https://variety.com/2022/film/news/blonde-ana-de-armas-standing-ovation-venice-nc-17-marilyn-monroe-1235337816/) during its world premiere at the Venice Film Festival earlier this month. “The film leaves us with just how haunting it is that where the world saw a goddess, she saw no there there.” The lineup includes t-shirts, dresses and hoodies donning captivating famous images of the blonde icon whose life was famously shrouded in mystery.