Jung_E movie review: Train to Busan director Yeon Sang-ho returns to familiar themes in his imaginatively set up dystopian action film, out now on Netflix.
And a large part of the reason why the mother-daughter story is so effective is because Seohyun doesn’t have all the time in the world; she’s dying. Seohyun’s attempts to clone her mother, by repeatedly making her participate in a simulation of the skirmish that killed her, could cynically be read as her way of lashing out at her mom for the feeling of abandonment that she left her with. At the centre of the resistance against these rebel shelters is a terminally ill scientist named Seohyun, whose mother was an elite soldier who died in a war when Seohyun was just a little girl. Over the years, three of these shelters have factionalised and separated from the larger group, posing a challenge to the others as well as what remains of humanity back on Earth. In the first minute alone, we’re told that the movie is set in a not-so-distant future, where climate change has ravaged Earth and large sections of humanity have been evacuated to space ‘shelters’. Yeon handles it like a child presented with a serving of boiled vegetables before the pizza that he’d been promised.
'Train to Busan' director Yeon Sang-ho strikes out with his sci-fi feature 'Jung_E,' an inert action-drama that feels stuck in testing phases.
But Yeon’s latest is altogether a disappointment, lacking both the brain power and the beating heart that made his other movies so full of humanity. Jung_E is a heck of a work for Kang to part on. Even for non-Korean speakers, it’s easy to grasp the broad strokes of Jung_E as you doomscroll the latest nonsense on Twitter. It’s less about its sputtering plot and illogical worldbuilding — both ripe for criticism — and more about the film failing to raise the question, “Why?” Jung_E is ostensibly a sci-fi centered on the brain, which uses the motif to explore tangential themes like identity, control, and the ephemeral sense of self. Despite occasionally mesmerizing effects work, compulsively enjoyable performances and action choreography, and a schmaltzy but effective undercurrent that affords the film a modicum of emotional depth, Jung_E collapses under its own ambition. Her adult daughter, Yun Seo-hyun (the late Kang Soo-yeon) is the head of the “Jung_E” project that tries to harness Jung-yi’s brilliant tactical mind to create a new breed of artificial soldiers.
Best known for his acclaimed work on zombie thriller blockbuster Train to Busan and supernatural horror series Hellbound, South Korean auteur Yeon Sang-ho ...
[Ex Machina](https://www.nme.com/reviews/reviews-various-artists-15890-319616), Blade Runner and [Westworld](https://www.nme.com/tag/westworld) without adding anything new to the A.I. While the movie could be rightfully criticised for its surface-level exploration of the socio-political issues surrounding its civil war, or for its brief lip-service to the ethical and philosophical dilemmas surrounding artificial intelligence, it’s clear that JUNG_E is more interested in the emotional than the cerebral. Likewise, the interactions between Seo-hyun and Jung-e’s android clone are the film’s powerful beating heart, playing out like a high-tech, high-stakes chamber drama. Interestingly, the scientist in charge of the operation is Jung-e’s stoic daughter, Seo-hyun ( While JUNG_E presents plenty of detailed exposition and backstory to humanity’s war-torn, extraterrestrial society, the plot itself is extremely streamlined, contained almost entirely within the A.I. [Hellbound](https://www.nme.com/reviews/tv-reviews/hellbound-review-yoo-ah-in-yeon-sang-ho-netflix-k-drama-3098367), South Korean auteur Yeon Sang-ho has proven adept at grounding dark post-apocalyptic scenarios with just the right balance of emotion, suspense, comedy and action.
Way too much of Jung_E is content to discuss its themes instead of merely embedding them in an interesting story.
After an opening sequence that sets the table for Jung_E’s fighting ability, Yeon settles into scene after scene of Sang-Hoon and Seohyun discussing how the project is going and how to fix it. Leading the project is an expert named Seohyun (the sadly deceased Kang Soo-yeon, to whom the film is dedicated), who happens to be the daughter of Yun, who has been in a coma for 35 years. Romero](/cast-and-crew/george-a-romero), “Jung_E,” now on Netflix, is the filmmaker’s stab at “The Terminator,” “ [Blade Runner](/reviews/blade-runner-1982-1)” and sci-fi action flicks with deep philosophical underpinnings about what it means to be human.
JUNG_E has arrived on Netflix and the sci-fi movie delivers an emotional finale, so let's delve into it to explain its reveals.
However, in their final goodbye, JUNG_E rubs its face against Seo-hyun like her mother used to do, meaning JUNG_E still has memories of its past life. She works out that the reason JUNG_E keeps failing is that Jung-yi's brain is thinking about her daughter's surgery and getting distracted. JUNG_E fails the test again, but this time, it's faking being 'dead' and attempts to escape the facility. Seo-hyun is told by to shut down the combat AI program and switch to housekeeper or service AIs. Seo-hyun might be working on the project, but feels guilty that her mother's cloned brain is in this endless cycle of war. Unfortunately, Seo-hyun discovers that the cancer has returned and is now terminal.
Who is Kang Soo-yeon? The Netflix sci-fi thriller Jung_E is dedicated to her in loving memory, but how is she connected to the film?
For those unaware, Soo-yeon is the talented actress who plays Yun Seo-hyun in the movie. Her character, Yun Seo-hyun, is in charge of creating the perfect combat warrior by replicating her mother’s brain. At the end of the movie, a placard appears honoring the memory of Kang Soo-yeon.
Jung_E is Netflix's latest Korean film with a dystopian premise where humans are at war. With the Allied Forces and the Adrian Republic constantly at war, ...
It also makes the other characters’ arcs uninteresting as we would rather watch the AI of Captain Yun and cheer for her. It’s like the writers want us to root for her and Kim Hyun-joo does a remarkable job of portraying such a complex character despite her limited screen time. The production is futuristic with a hint of nostalgia from old school stand fans to sky trains with 21st-century interiors hinting at the human race’s want to win the war and go back to the old days.
2194. Earth is now uninhabitable, with most of mankind now living in city-sized colonies in space. Unfortunately, a war has broken out between these ...
Artificial intelligence, climate change and humanity’s unbreakable habit of starting wars are just a few of the hot-button topics the film boldly tackles, resulting in an [Elysium](https://www.empireonline.com/movies/reviews/elysium-review/)-esque tale that swings for the fences and hits more times than it misses. Instead, JUNG_E mostly unfolds in labs and the metaverse, as terminally ill scientist Seo-hyun (the late South Korean superstar Kang Soo-yeon, in her final role) races against time to resurrect her mother, legendary mercenary Yoon Jung-e, in the form of a combat robot. [Train to Busan](https://www.empireonline.com/movies/reviews/train-busan-review/), his 2016 horror that put the “loco” in “locomotive.” Audiences were all aboard that bonkers South Korean zombie adventure, which hurtled towards its destination calling at Sharp Social Commentary and Tender Parent-Child Emotion along the way.
The latest film from Train to Busan director Yeon Sang-ho, Jung_E, is now streaming, but should you give it a watch? After the one-two punch of Squid Game ...
As the heart & soul of the movie, Kang Soo-yeon brings depth to a mostly thin storyline. Some early reviews of the film have mentioned the production design & VFX as strengths of the film, but I would say they were very inconsistent. However, I feel that they should have done a little more to cultivate that relationship in flashbacks or early scenes before we meet Seohyun as an adult to cement what these repetitive tests are doing to Seohyun’s psyche and why she has such strong motives as the film moves towards its conclusion. I wouldn’t be surprised if many turn off the film in the early going because of his character. He relies on the script & his performances to carry the film more than the spectacle for which he is best known. With this film, he strips a lot of that away in lieu of a toned-down examination of AI & experimentation.
JUNG_E lulls the audience into a false sense of security with a fantastic futuristic shootout in its first few minutes. It'll get back to creative combat ...
Take a look into Yeon Sang-ho's take on the future. [relationship with her mother](https://gamerant.com/great-horror-movies-mothers-daughters-scream-final-girls-ma-run-smile/), a war hero who has spent most of her daughter's life in a coma. The film is dedicated to her. [film's go-to weapon](https://gamerant.com/unique-sci-fi-movie-weapons/) is an assault rifle with a built-in grappling hook, and it gets absolutely everything it can out of that solid concept. The film is available on Netflix now. The Yun Jun-yi went with the third option, forcing her [into a fate worse](https://gamerant.com/movie-characters-fate-worse-than-death/) than a thousand deaths. War is fought almost entirely with robots, but the scientists on Earth Captain Yun wound up in a coma, but the military scientists on Earth think she can still end the war. Eternal life isn't just available to the perfect soldier, anyone can copy and paste their brain into a new body if they have the capital. His biggest hit is still the groundbreaking It'll get back to creative combat set pieces by the end, but everything in between is simultaneously extremely heartfelt and deeply cynical.
From Yeon Sang-ho, director of 2016 zombie horror Train to Busan, this sci-fi thriller follows a researcher and her team as they attempt to find the key to ...
On a visit to the lab, Kronoid Chairman informs Seo-hyun that the Adrian War is coming to an end and that weapons manufacturing, including of the combat AIs, will cease. In a flashback, it's revealed that Captain Yun became a mercenary to pay for her daughter Seo-hyun's lung tumor treatment. After an ethics test to check she's not an android, a doctor reveals that Seo-hyun's cancer has now spread to the rest of her organs. Then, Kronoid intends to manufacture the elite, loyal combat robot for the Allied Forces to gain a winning advantage. Thirty-five years beforehand, the real Yun failed the mission and ended up in a coma. A secret connection to the test subject and ethical questions of cloning human consciousness add complications.